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28、庆典尾声:爱的礼赞(婷妹-大提琴、风之雪-钢琴)

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发表于 2011-4-29 21:58 | 显示全部楼层 |阅读模式
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演奏:风之雪(钢琴)、婷妹(大提琴)
下载地址:http://www.jinyong.mobi/7/tm.mp3
发表于 2011-4-30 13:21 | 显示全部楼层
你二人配合好久了吧?
合奏的很默契,提琴的旋律声部如泣如诉,钢琴的和声娓娓低吟,把这部作品诠释的细腻动人。
我有个感觉,你们好像是学这个专业的,在音乐的节奏、乐器的表现力上都显得很专业。
赞!
发表于 2011-4-30 15:07 | 显示全部楼层
原帖由 艾连 于 2011-4-30 13:21 发表
你二人配合好久了吧?
合奏的很默契,提琴的旋律声部如泣如诉,钢琴的和声娓娓低吟,把这部作品诠释的细腻动人。
我有个感觉,你们好像是学这个专业的,在音乐的节奏、乐器的表现力上都显得很专业。
赞!


她俩以前是学声乐的,上大学后转行了。
发表于 2011-4-30 15:11 | 显示全部楼层
呵呵,真不错。
他俩演奏的很好,很喜欢。
发表于 2011-4-30 16:27 | 显示全部楼层
好默契的配合,不亚于CD碟了!处理得相当细腻啊~
小提琴泛滥的年代里,我一直对会拉大提琴的女生表示敬意~~
发表于 2011-5-1 19:46 | 显示全部楼层
有才!有才!

啥时合奏一曲‘梁祝’啊?
发表于 2011-5-2 13:00 | 显示全部楼层
发表于 2011-5-3 09:08 | 显示全部楼层
艾爾加《愛的禮讚》簡介    (Liebesgruss — Edward Elgar)

艾爾加的妻子艾莉絲於1888年夏天,在結婚前寫給艾爾加一首詩,艾爾加為此詩譜上曲,曲名為 Liebesgruss〈Loves Greeting〉,即為《愛的禮讚》,回贈給艾莉絲。後來艾爾加將之編成三種演奏版本:鋼琴獨奏、小提琴和鋼琴、以及管絃樂曲,並由出版商以法文重新命名為Salut d'amour,迷人的曲調深受大眾喜愛。
艾爾加(Edward Elgar,1857-1934年)英國作曲家。


In the Summer of 1888, Edward Elgar and Alice Roberts were heading towards marriage. Edward decided on a holiday with his long-standing friend, Dr Charles Buck of Settle, Yorkshire. As he left Worcester, Alice presented Edward with a poem she had written and entitled Love's Grace. While on holiday in Settle, Edward reciprocated by writing a short piece of music for her, which he called Liebesgruss (Love's Greeting). The work carried the dedication "To Carice", a contraction of his future wife's forenames Caroline Alice with which they subsequently christened their daughter. On his return from Settle, Elgar presented the work to his wife and proposed to her. They married at the Brompton Oratory in South Kensington, London in May the following year.

Towards the end of 1888, Edward submitted three arrangements of the work - for solo piano, for violin and piano, and an orchestral arrangement - to the music publishing firm of Schott who agreed to buy the work outright for a fee of two guineas. At first, the work sold slowly. Apparently with Elgar's approval, Schott's retitled the work Salut d'Amour and gave the composer's name as Ed. Elgar, believing that the French title and a less obviously English composer would help the work gain wider international approval. It did, much to the publisher's satisfaction but with no financial benefit to Elgar.

It is easy to dismiss Salut d'Amour as an insignificant trifle, salon music not deserving a wider audience. However, for the work to establish itself so forcefully in what was a fiercely competitive field says much for its charm and quality. And, as Elgar's first published work, it has a historical value, containing pointers to the skills that Elgar was to develop and display in his later works.

Elgar subsequently composed a companion piece, Mot d'Amour (Liebesahnung or Love's Word). Although in many ways structurally and dramatically superior to the earlier work, it failed to capture the public affection of its predecessor and is rarely heard today.


小提琴音色細膩豐富
大提琴音色渾厚沉穩

[ 本帖最后由 曼陀羅花 于 2011-5-3 09:20 编辑 ]
发表于 2011-5-3 13:45 | 显示全部楼层
这个版本是小提琴和鋼琴的演奏谱了?
只不过小提琴的声部由大提琴替换了而已,是不是这样?
不过,由大提琴演绎出来,好像更富有内涵,让人感觉更委婉动人~~~~
很喜爱此曲
发表于 2011-5-3 18:13 | 显示全部楼层

回复 9# 的帖子

這就要有請專家婷妹來為我們解答了~~

小學時只吹過直笛,除了鋼琴之外,其他樂器連摸都沒摸過

不過聊到古典音樂倒是可以聊一堆背景故事,我個人只是古典音樂愛好者,Baroque Music巴洛克音樂迷...
喜歡Handel (韓德爾) 的華麗皇家管弦樂風,韓德爾角筒管號水上音樂第4曲為最。
Mozart (莫札特) K525,Sym 40 & 41 Jupiter
发表于 2011-5-5 18:50 | 显示全部楼层
对声乐一窍不通,所以越发的膜拜,很好听!
发表于 2011-5-10 13:33 | 显示全部楼层
膜拜中 慶典華彩收尾~~~
发表于 2011-7-14 14:17 | 显示全部楼层
曲子比较简单啦,不过音准不错,音色方面,貌似处理过了吧?换弓痕迹一点也没有,要不就是真的碰到大师了,呵呵,个人感觉强弱不大到位,而且揉弦如果能频率高一些就好啦,这种柔婉的曲子尽量用手腕揉弦,小臂不好使。有的句子再推进一下,用弓速控制音量,揉弦加频率就好
发表于 2011-7-14 14:17 | 显示全部楼层
忘了说明了,楼上我说的是小提琴部分
发表于 2011-7-14 14:20 | 显示全部楼层
原帖由 曼陀羅花 于 2011-5-3 06:13 PM 发表
這就要有請專家婷妹來為我們解答了~~

小學時只吹過直笛,除了鋼琴之外,其他樂器連摸都沒摸過

不過聊到古典音樂倒是可以聊一堆背景故事,我個人只是古典音樂愛好者,Baroque Music巴洛克音 ...

巴洛克音乐,喜欢巴赫的小提琴六首无伴奏奏鸣曲么?我超级喜欢的,还有莫扎特的A大调第五协奏曲,也不错
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